![]() It is formed in southwestern Sedgwick County by the confluence of the North Fork Ninnescah River and the South Fork Ninnescah River. The Ninnescah River originates in the Wellington Lowlands of south-central Kansas. Its entire 56.4-mile (90.8 km) length lies within the U.S. All kinds of awesome.The Ninnescah River is a river in the central Great Plains of North America. ![]() In a more complex scenario, I have a one button workflow which sets up a new project, creates a folder in Dropbox, extracts contact details from the enquiry email and pre-fills an email response with those details and some pre-written text blocks which I can edit to before sending. Workflow actions I use frequently include a simple workflow to delete all the Instagram images and screenshots in my phone’s photo album, and another to generate re-useable packing lists for site work. The actions are simple drag and drop building blocks, and you can chain as many as you wish together - for example, once you’ve saved those images to Dropbox, you can extract the Dropbox URL, populate an email with that link and automatically email it to someone. to save photos to Dropbox, you combine the “Get Photos” and “Save to Dropbox” actions) or script your own. Workflow allows you to build combinations of actions in different apps, to automate repetitive tasks. This iOS app is the neatest, most powerful piece of software I’ve picked up on over the last year or so, thanks to the advice of Fraser and Frederico on the Canvas podcast. All these tools make the workflow of moving a window from initial enquiry to installation a little bit simpler for me, and I hope you find something on the list that’s useful in the way you work. As digital tools have developed, the boundaries between traditional materials and methods have become more blurred for me. ![]() Ironically, the final app in the list (Scanbot, an iOS app which uses the camera on your phone to produce high resolution scans) has probably become more important as I have slowly incorporated more traditional drawing methods into my practice - it acts as the link between the analogue and digital worlds stained glass makers exist in. It is not exhaustive, nor prescriptive, and simply illustrates some of the many tools available to the contemporary stained glass practice. What follows below is a list of the apps that I use most frequently. Most of the apps I now use are available on both iOS and MacOS, sync seamlessly, and are fast, efficient and make capturing information, responding to enquiries and designing new work easier and faster. As we’ve taken on more complex restoration jobs and I spend more time on site than previously, the need for fast, simple tools to keep everything organised has become paramount. ![]() I’ve found I’ve swapped a few apps in and out, partly in response to improvements in the usability of mobile devices (especially the multi-tasking capabilities of the iPad), but also because there has been a change in the work coming through the studio. Since I wrote the original piece on design tools, many aspects of technology have changed. Despite the fact we work using techniques virtually unchanged in a millennia, we use e-mail. A few years ago I wrote a post on the design-related software I was using in my stained glass practice, and many people commented they were surprised just how much use was made of the computer.
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